A blog on the "Sciences and Narratives of Nature: East and West" workshop from NiCHE member and workshop participant Stephen Bocking, Trent University
Blog:
http://niche-canada.org/node/10267
Event information:
http://www.situsci.ca/event/sciences-and-narratives-nature-east-and-west
The future. An enduring cultural fascination yet an inherently elusive entity. As Jeaneatte Winterson writes, "The future lies ahead like a glittering city, but like the cities of the desert disappears when approached."
Dreams tangled by wires, the transhuman subject is wrapped in a promise: a promise of technological infallibility and inevitable progress. And so the neofuturists proclaim. Such optimisms are crisp and sure, marketed to the priveleged and powerful. Promises sold like catholic indulgences to assuage our guilt of a growing world and a distancing humanity.
The following is a sample of Tweets resulting from Live Blogging of the University of Ottawa's Frontiers in Research : Our Post-Human Future event Nov 15th, 2011. See @situsci for the latest.
Here are some random samples of the live Twitter conversation by students attending the Synthetic Biology at the Interface of Science and Policy Conference at the Institute of Science, Society and Policy Sept. 30th, 2011. Their blogs are now available to view on www.situsci.ca/blog
For more, follow their Twitter accounts or @situsci
Gilles Bibeau (2011) reminds us to step down from the altar of genomythology: the dominance of The Gene, fearless flight into a technocratic future, biologist Supermen that save the world.
When I think of the word “synthetic”, I generally think of it in opposition to “natural” – terrible synthetic fibre clothing or other artificial things. But the root of the word actually gets much of its meaning in opposition to “analytic”, particularly in philosophy. Analysis is where we break something down in order to interrogate and understand it; synthesis is where we build a whole up from parts. Analytics explores; synthetics exploits.
When a cartoon is in the early stages of production artists craft the storyline by creating a series of still images. Those images, referred to as “extremes”, depict characters in their most exaggerated positions and are often used in the final stories as visual hooks and punchlines for the audience: anvils are falling on heads; bodies are magically suspended miles above ground; tears are streaming from eyes. Chuck Jones, who famously created the Road Runner and Wile E.
Here's a liveblog of the colloquium "Synthetic Biology at the Interface of Science and Policy" at the University of Ottawa.
By Charles Bourne
University of King's College, Halifax.
The third of three entries about my experience at the Reading Artifacts Summer Institute this summer, a week-long event at the Canada Science and Technology museum focused on exploring material culture and its related fields.
By Charles Bourne
University of King's College, Halifax.
The second of a few entries about my experience at the Reading Artifacts Summer Institute this summer, a week-long event at the Canada Science and Technology museum focused on exploring material culture and its related fields.
August 15-19, Ottawa.
By Charles Bourne
University of King's College, Halifax
The first of a few entries about my experience at the Reading Artifacts Summer Institute this summer, a week-long event at the Canada Science and Technology museum focused on exploring material culture and its related fields.
August 15-19, Ottawa.